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The Story of Three 1970’s Posters: Tennis Girl; Hang in There, Baby; and Farrah

Why, oh why, should I write about this, you ask? Well, because, they all hung in my family’s summer cottage. So, let’s find out how they came to be and the legacy they leave.

Remember the Tennis Girl Poster? A very cheeky one, indeed. What throws many off is it is British. Most assume American origins. It shows an attractive woman from behind (hint, hint) walking towards a tennis court net. In her right hand is a (wooden) racquet. Her left hand reaches behind for some unknown reason lifting a short, white tennis dress. The movement exposes most of her back side.

The poster became incredibly popular and was shrouded in a bit of, “who was she?”

According to accepted sources, the photograph was taken by then-30-year-old Martin Elliott in September, 1976. The model was 18-year-old Fiona Butler, his girlfriend at the time. The photo was taken at the University of Birmingham’s tennis courts.

The dress was hand-made by Butler’s friend Carol Knotts, from a Simplicity Pattern with added lace trim. Knotts also supplied the tennis racquet, with all of the borrowed items later returned by Butler to Knotts after the shoot with the gift of a box of chocolates.

The image was first published as part of a calendar by Athena for the 1977 Silver Jubilee, the same year Virginia Wade won the Wimbledon ladies’ singles title. Athena negotiated an agreement to distribute the image as a poster. It achieved widespread distribution, selling over 2 million copies at £2 per poster. It remains a popular print to buy on Amazon and Posters.com.

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Revitalizing a Wine Brand

I was born in 1965 in Winnipeg, Manitoba. That sentence reads like a dual confession and I have one more to share before this is over but we will get to that shortly. Any how, from the 1960’s to 1990’s, wine took a backseat to beer and spirits in Canada. In Manitoba, Old Vienna beer and any rye brand dominated for decades. When wine did grace the table or flowed at a party, invariably it was Black Tower, Blue Nun, or Baby Duck.

Black Tower suggested Teutonic dominance with its once clay bottles. Blue Nun had a pleasing name and label that implied organized religion had blessed your choice. Baby Duck was hugely successful. It sold 8 million bottles in 1973 alone. The name prompted many imitators. In the 1970’s, you could buy Canada Duck, Love-A-Duck, Kool Duck, Daddy Duck, and Fuddle Duck (say this last one three times fast). One brand even tried a poorly thought-out deviation and went by the name of Cold Turkey.

With all due deference to Black Tower, Blue Nun, and Baby Duck, they were outclassed by a fourth 158243774_-mateus-rose-pink-wine-bottle-candle-brazil-nuts----1powerhouse. Do me a favour. Close your eyes. Now picture a wine bottle unlike the standard. In this one, the 750ml of wine was contained in a squat teardrop shape. Remember it? I am speaking of Mateus. Following consumption that bottle often housed a succession of candles in its tapered neck. Waxes of different colours would run together in pleasing collages. In Manitoba, drinking Mateus and displaying the empty bottle as part of your household decorating suggested European refinement at its best (I am not joking).

Now take a break and allow yourself an eye-roll or laugh. Everyone pokes fun at Mateus. They attack the quality of the wine and claim in a self-deprecating way just how silly they were to ever drink it in the first place. Still, this indicates a fond nostalgia that the brand has never capitalized on. In its heyday, Mateus sold 4 million cases annually in the United States alone. The wine’s owner, Sogrape, now makes less than 2 million cases a year in total. This, to me, is a huge opportunity.

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