Social Media Officially Failed on February 7, 2009

I often joke with clients and audiences at conferences that social media officially failed on February 7, 2009. It is a completely arbitrary date. My point is, around that time it became clear that the promise of social media would go unrealized. That promise being that social media would be premised on conversation.

Instead what happened is brands and their agencies feared lack of control over dialogue. Ceding that control to customers was a scary idea. So they reacted by using social media as just another broadcast tool. They fell back on their comfort zone as in television, print and radio. Years later this persists.

This is not to say brands are shying away from social media. In fact, Forrester predicts $16 billion in spend in social media by US marketers alone in 2016. Lithium, the owner of Klout, that tracks social media influence, commissioned independent research firm ComBlu to take a look at social media. According to their site, “Combining hard numbers with human analysis, the State of Social looks at eight industries and 85 Fortune 1000 companies to determine how strategic and effective brands are across their social ecosystems.”

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Before we get to the insights it is important to state that though I am on Klout, I am not sure of its ultimate value. An aggregate score based on my social media activity has not caused me to alter anything when it comes to social media. And it is clear this report has an agenda and that is to further advance the idea that influencer marketing is valid and works. Social media was always intended to be an egalitarian grassroots tool. Obviously some will attract more followers than others but that should be based on their value and relevance rather than by a campaign using brand dollars.

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The Write Advice

God I love writing. Too bad the ‘Gods of Writing’ can be so demanding even cruel. That is why it is important to draw on the experiences of others. Take Ernest Hemingway who said, “We are all apprentices in a craft where no one ever becomes a master.” There is both comfort and terror in that observation.

Enid Bagnold captured my own sentiments of writing, “Who wants to become a writer? And why? Because it’s the answer to everything. … It’s the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower out of life, even if it’s a cactus.”

Here are other quotes on writing that may cause you to slap your forehead and say to and for yourself, “That’s it!”

“Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.” George Orwell

“Making people believe the unbelievable is no trick; it’s work. … Belief and reader absorption come in the details: An overturned tricycle in the gutter of an abandoned neighborhood can stand for everything.” Stephen King

“To defend what you’ve written is a sign that you are alive.” William Zinsser

“We’re past the age of heroes and hero kings. … Most of our lives are basically mundane and dull, and it’s up to the writer to find ways to make them interesting.” John Updike

“The greatest part of a writer’s time is spent in reading, in order to write; a man will turn over half a library to make one book.” Samuel Johnson

“If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can’t allow what we learned in English composition to disrupt the sound and rhythm of the narrative.” Elmore Leonard

“Write. Rewrite. When not writing or rewriting, read. I know of no shortcuts.” Larry L. King

“There are no laws for the novel. There never have been, nor can there ever be.” Doris Lessing

“Style is to forget all styles.” Jules Renard

“One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing—writing and tearing up five pages would leave me no further behind than if I took the day off.” Lawrence Block

“Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.” Leigh Brackett

“When your story is ready for rewrite, cut it to the bone. Get rid of every ounce of excess fat. This is going to hurt; revising a story down to the bare essentials is always a little like murdering children, but it must be done.” Stephen King

“Long patience and application saturated with your heart’s blood—you will either write or you will not—and the only way to find out whether you will or not is to try.” Jim Tully

“I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide.” Harper Lee

“Geniuses can be scintillating and geniuses can be somber, but it’s that inescapable sorrowful depth that shines through—originality.” Jack Kerouac

“Just write every day of your life. Read intensely. Then see what happens. Most of my friends who are put on that diet have very pleasant careers.” Ray Bradbury

“Keep a small can of WD-40 on your desk—away from any open flames—to remind yourself that if you don’t write daily, you will get rusty.” George Singleton

“There is only one plot—things are not what they seem.” Jim Thompson

“The most beautiful things are those that madness prompts and reason writes.” Andre Gide

“When I say work I only mean writing. Everything else is just odd jobs.” Margaret Laurence

“Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.” Annie Dillard

 

Why Marketing and Marketers Love Fads

Mark-Zuckerberg-ice-bucket-challenge

Fads are fascinating. They pop-up, wildly peak, and rapidly become a memory. Fads are defined as, “an intense and widely shared enthusiasm for something, especially one that is short-lived and without basis in the object’s qualities; a craze.” Marketing has historically loved a craze because it enjoys significant awareness.

Social media has helped fuel fads and arguably shorten their shelf life. Fads are similar to habits or customs but less durable. They often result from an activity or behavior being perceived as emotionally popular or exciting within a peer group or being deemed “cool”.

Dance marathoners hoping for a sponsor's prize.

Dance marathoners hoping for a sponsor’s prize.

Nowadays they are promoted across social networks growing trial and converts to the fad. Think about the Ice Bucket Challenge and you will get the drift.

This ties to the bandwagon effect. This is a phenomenon where the rate of uptake of beliefs, ideas, fads and trends increases the more that they have already been adopted by others. Marketers love the notion of fads and bandwagons as they resemble interactive advertising campaigns. Marketers strive to create fresh fads and compel the bandwagon effect or they associate their brand with a fad currently underway to gain a halo effect.

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Your Brand Story is Your Brand Strategy

So much has been written on storytelling in business that a subset of the marketing community is pushing back against its purported benefits. Yet, increasingly creative agencies big and small are specializing in helping clients better tell their story. More and more conferences are dedicated to the topic. Content marketing and copywriting professionals now fall under the umbrella of storytelling.

All of this activity is taking place with the hope that customers will identify with the story, tell it, and share it. This sounds a lot like the overall purpose of branding and IMG_4556marketing and that makes me a believer in the power of storytelling.

When it works, it really works. I am not a fan of overly simplistic stabs at business storytelling. Those attempts rob brands and businesses of what makes them interesting in the first place, namely, their depth and complexity. This does not mean everything should be “War and Peace” but it certainly should not be dumbed down to a tagline or strive for a one-word association.

I use two different constructs to help build an engaging narrative. The first answers seven questions and generally works better for B2B, professional services, and association clients. These require honest and uncomfortable answers to be successful.

  • Where do we come from?
  • Where is our world going?
  • Who are our communities?
  • What are we like?
  • How do we behave?
  • What is our purpose?
  • What is our brand idea?

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Ad Agencies Confuse Public Relations with Branding

Perhaps we can lay blame on the Creative Revolution in advertising from the early 1960s. That era of broadcast communications produced, on a relative basis, the largest volume of advertising we have ever seen. It is viewed as the pinnacle of Madison Avenue’s influence. At the same time, the public relations profession was having its own golden days. The masters of spin were as sought after as the martini-soaked mad men (apologies for reinforcing the stereotype).

Soon competition among ad agencies grew in the late 1960s and the phone stopped ringing. Work dried up so agencies turned to their public relations cousins for help. From the mid ‘60s on, this meant pumping out press releases and cultivating media to cover agency activities. Most of this trumpeted new business wins and awards gained at the ever-increasing number of shows. This contributed no real or meaningful differentiation especially given all agencies followed the same playbook. The biggest innovation agencies introduced in subsequent decades was hiring public relations professionals to work in-house.

TheOffice

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